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William Powell Frith 1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
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Painting ID:: 1282
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William Powell Frith The Railway Station 1862
Painting ID:: 24045
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William Powell Frith Ramsgate Sands 'Life at the Seaside' (mk25) 1852-3
Painting ID:: 24255
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William Powell Frith The Marriage of The Prince of Wales (mk25) 10 March 1863
1863-4
Painting ID:: 27959
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William Powell Frith A Scene from Sterne's A Sentimental Journey 1841
Oil on canvas 90.8 x 69.9 cm (35 1/2 x 27 1/2 in)
Victoria and Albert Museum,London (mk63)
Painting ID:: 28163
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William Powell Frith Private View of the Royal Academy 1881 1881-2
Oil on canvas 102.9 x 195.6 cm
(401/2 x 77in)
Private collection (mk63)
Painting ID:: 28269
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William Powell Frith Life at the Seaside (Ramsgate Sands) 1854
oil on canvas 76.2 x 153.7 cm
(30 x 60 1/2 in)
Royal Collection (mk63)
Painting ID:: 28279
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William Powell Frith Derby Day 1856-8
Oil on canvas 101.6 x 223.6 cm
(40 x 88in)
Tate Gallery London (mk63)
Painting ID:: 28280
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William Powell Frith The Railway Station 1862
Oil on canvs 116.7 x 256.2
(46 x 101in)
Royal Holloway College,University of London Egham,Surrey (mk63)
Painting ID:: 28292
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William Powell Frith The Salon d'Or Homburg 1871
Oil on canvas 125 x 260 cm
(49 1/4 x 102 1/2 in)
Museum of Art Rhode Island School of Design (mk63)
Painting ID:: 28293
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William Powell Frith Retribution 1878
Oil on canvas 30.8 x 39.4 cm
(12 1/8 x 15 1/2 in)
Birmingham City Museum and Art Gallery (mk63)
Painting ID:: 40714
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William Powell Frith Derby Day mk156
1856-1858
Oil on canvas
101x223cm
Painting ID:: 56255
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William Powell Frith the railway station mk247
1862,oil on canvas,46x101 in,117x256 cm,royal holloway college,egham,surrey,uk
Painting ID:: 64357
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William Powell Frith derby day, c. 1855
london, the tate gallery
Painting ID:: 73385
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William Powell Frith For Better For Worse Oil painting by English Victorian painter William Powell Frith
Date 1881
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Painting ID:: 74115
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William Powell Frith Sleeping Model Description William Powell Frith - The Sleeping Model.JPG
English: Oil painting by Victorian painter William Powell Frith
Date 1853
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Painting ID:: 75385
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William Powell Frith Barnaby Rudge : Oil painting depicting Dolly Varden, a character from Charles Dicken's book 'Barnaby Rudge'
Date 1842
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William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
